Sir Roland Richardson
Born to a family whose French Caribbean heritage dates back to the 1700's on the island of St. Martin, Sir Roland Richardson has recorded his culture over the past fifty years with his paintbrush and palette. He reveals his exotic, luminescent subject by painting pictures exclusively “en Plein Air”, working in the field and always from a living subject.
While his roots are in the Caribbean, universities around the world have taught aspiring artists about Sir Roland Richardson's contributions to Plein Air Impressionism. Throughout his long career, Sir Roland has been characterized as the “Father of Caribbean Impressionism.” He has been profiled in reputed periodicals that include the New York Times, the Washington Post, Elle, American Airlines Latitudes, Robb Report, Caribbean Travel & Life and Island Magazine.
Photo by James Schnepf
Photo by Alexandre Julien
Over 100 one-man and group shows in museums, major trade centers and fine art galleries have honored Sir Roland Richardson in public exhibition, including many Caribbean islands, France, the Netherlands, the Middle East, Belgium, Bulgaria, Russia, and the United States. While he remains devoted to a simple life of genuine focus, Sir Roland’s artwork is rapidly earning the recognition and respect of art collectors and appreciators worldwide.
ART Hamptons 2010
His paintings are cherished in public institutions like Memorial Sloan Kettering, NYC; Erasmus MC Cancer Institute, Rotterdam; and le Palais d’Elysee, Paris. He is honored to be in the collections of celebrated dignitaries and artists including Martha Graham, Jackie Kennedy Onassis, Harry Belafonte, Romare Bearden, Senator Edward and Anne Brooke, Prime Minister Raffarin, and Queen Beatrix of the Netherlands, as well as many corporate leaders and progressive entrepreneurs, pioneers within their niche industries.
CARIBBEAN ART
“The entire region of the Caribbean is blessed with a warm, glorious light manifesting in myriad, vibrant color. This environment enchants, envelops, nourishes and transforms all who are bathed by it. Here color reveals qualities of its inner self that elsewhere are subtle and only hinted at. No wonder that Paradise is still thought to be in this part of the world.”

History is in the making as we explore a new school of art born only in the last century, indigenous to this region of idyllic light and abundant color – the Caribbean. Caribbean art now touches points all over the world, bright beacons of inspired imagery communicating a world, a culture, unknown to most just a half century ago.
How many have learned of the existence of the coralita, the soursop, mangoes and madras, the brilliant flamboyant trees bejeweling our islands, having seen them first in paintings from our Caribbean world? For this reason, native son, leader and patriarch, Sir Roland Richardson has committed his life to communicating the Caribbean world through his art.
SAINT MARTIN HERITAGE
Sir Roland Richardson was born May 18, 1944 in Marigot, St. Martin.
His amazing history includes a family genealogy spanning over 300 years on the island of Saint Martin in the French West Indies, dating back to the original European settlement and Amerindian cultures.

His French ancestors on St. Martin date back to the 1700s and King Louis XVI, the last king of France, prior to the French Revolution. Through the centuries, the Richardson family has been intricately involved in the establishment of government policy, the cultivation of major agricultural plantations, the introduction of modern utilities, telephone and electricity, and the evolution of aviation in this region of the world. Sir Roland is a descendent of slavery as well as nobility, and poignantly represents the beautiful blend of many races, many cultures, and many continents that has emerged as a cultural heritage unique unto itself – Caribbean Creole.
St. Martin 1816
Left: Anna Deborah Doncker Hodge 1781 - 1838, wife of Nicholas Heyliger,1767-1852, of Golden Grove Plantation Colombier, French St. Martin.
Right: Eliza Jane Heyliger 1813-1847, daughter of Anna Deborah Doncker Hodge, wife of Richard Robinson Richardson 1784-1856, lawyer of Philipsburg, Sint Maarten.
In 1944, Roland Richardson was born to a world about to witness the end of World War II on this small but multi-national island of St. Martin. Intercontinental travel was mainly by sea and what now are short car rides were full morning or long day trips traveled by foot, horse or donkey on island tracks. Marigot was long distance from Grand Case; one hardly knew those born on the other side of the island. In fact, most of life was devoted to surviving on that which nature could provide, homegrown in back yards, the fields or fished from the sea.
Photo by Guillaume Beaubatie
Sir Roland was born to Eliva Lawrence and Louis Richardson at #8 rue de la Republique in Marigot, in the house that adjoins his gallery museum. The courtyard garden was his first experience of color and beauty of flowers which has remained a revered focus throughout his career as an artist. His grandmother, Miss Pazo, ran a bed and breakfast “of sorts.” Her father, Fernando Morales, was of Spanish origin from the island of Vieques off the coast of Puerto Rico. He was the Mayor of the French side of Saint Martin and received visiting officials with brief lodging and meals.
Other boyhood memories included pulling fish pots with his mother’s father, Hildevere Lawrence, in Grand Case Bay and milking his cattle before setting off to school. Barefooted, most kids carried their good shoes to wear only in the classroom. They were taught in a large room uniting several grades, seated in rows of graduating ages and sizes with one - very strict - teacher. The same rows were found at night, five to seven children sharing a mattress to sleep. They reveled when the first generator brought the “electric light” to the village, one bulb suspended from the living room ceiling, that came on miraculously every early evening and went off later just as mysteriously as it came on. The radio was another miracle, a box that made beautiful music when the lights came on. “We all gathered for this magical occurrence and we would all imitate various instruments based on what we heard, like a grand band. It was a joyful event at the end of the day.”
Louis, Cynthie, Vere Richardson & Friends in the “Poupée”
“Cars were rare. There could have been twenty on the whole island, my father owning one. It was a model T-Ford which he wishes he still had. There were a few trucks and on occasion they would pass through our sand-rippled road in Grand Case and they had to go so slowly that we would all run and jump on and get a ride until they got to a harder, smoother road, and we would get off before they sped away to unknown parts of the island.”
Roland, Nikki & Louis Richardson
Roland immigrated, along with his two younger brothers, to join his mother’s family in New London, Connecticut in 1957, an area in close proximity to the West Indian community where his sea captain grandfather, Hildevere, sailed and traded dry goods between the West Indies and America. Roland entered 8th grade in the USA in a completely new world, a fish out of water, a tiny fish in a gigantic school. He imagined the school had more people than the village of Grand Case.
Whenever he spoke to someone, they would ask,
“What did you say?”
“A high school English teacher, in that early stage, took me underwing and decided he was going to teach me to speak English properly, and would have me stand up and repeat, ‘How - now - brown - cow’ to my great embarrassment in front of my whole class, who couldn’t understand me otherwise. But in the end, I think it worked!”
Today, the artist laughs remembering the contrasts of the Caribbean and American cultures, and the obstacles they faced.
His favorite class was Art.
HARTFORD ART SCHOOL
At age 17, the world of Art was nothing Roland Richardson was familiar with, nothing that a career or income could be based on.

In the USA, the schools tested the children’s skills to offer direction for higher education. A wise guidance counselor recognized Roland gift, a grace in drawing, which Roland was born with. “He asked me what were my career intentions, what was I interested in studying or becoming. I said I did not know. So he said, ‘Really? It’s so obvious to me that you are an artist! It shocked me with the force of a first realization or recognition. Now my secret thoughts were revealed and it changed my entire life.”
Roland entered Hartford Art School in Connecticut when it was housed in the Wadsworth Atheneum Museum of Art in 1967 and was a five-year degree. Founded in 1877, the Hartford Art School is one of the most recognized American academies of fine art for emerging artists. It offered a solid foundation and direction that has encouraged Roland through fifty years as a professional artist.
During his university years, he earned full scholarship and was awarded the Outstanding Student of the Year award all five years, earning a Bachelor’s Degree in Fine Art with Honors.
RETURN TO THE CARIBBEAN
Offered many opportunities to advance himself in prominent cultural metro regions like New York and Paris, Richardson chose to return to his little island of St. Martin to develop his artistry.

“The entire region of the Caribbean is blessed with a warm, glorious light manifesting in myriad, vibrant color. This environment enchants, envelops, nourishes and transforms all who are bathed by it. Here color reveals qualities of its inner self that elsewhere are subtle and only hinted at. No wonder that Paradise is still thought to be in this part of the world.”
Roland Richardson
He sensed his role in recording his culture and St. Martin’s natural landscape as being a vital link from the past to the present for generations to come. Roland returned to St. Martin in 1970 after spending his early twenties in the USA, Europe, the Middle East and Scandinavia. Aboard a cargo ship on a long inspirational voyage, he traveled home to begin his lifelong work.
Fortunate for all, his passion for working from life, continuously turning towards a living situation for his subject, has yielded through the years one of the largest bodies of Caribbean works by a single artist, in original oil, watercolor, pastel, charcoal drawing, fine print making in etching, engraving, aquatint, mezzotint, drypoint as well as a precious body of woodcuts, collographs, embossings, batik and stained glass – all focused on the Caribbean world, his world.
Fifty years later, his creations have found homes on all continents of the world, beacons of the glorious Caribbean light that radiates from each of his canvases.
PAINTING “EN PLEIN AIR”
Roland Richardson has challenged himself working exclusively “en Plein Air” on location from life, in the same classical methodology of the 19th century Barbizon school artists, the Impressionists.

In the Caribbean, Roland has taken Impressionism to a radiant level. Responding to the resplendent light that bathes this beautiful region, he brings forth in each creation, a mirror of its time, its living community and the magnificent land surrounded by turquoise sea on which the entire culture is based.
Today, many artists arrive on our shores, live and work, delivering new art to this growing community. Among them, we offer our gratitude to one of the first, a prodigal son, who has forged a path of awareness for so many others. Sir Roland considers himself a worker in the field of God, struggling daily to grow in his gift and deliver something special for the world to enjoy, to carry into the future as a record of his times.
COMMUNITY DEVOTION
In addition to his special realm of artistry, Sir Richardson has continued to devote his personal investment of time, energy and resources to the preservation of St. Martin’s patrimony in many other realms.
For fourteen years, he diligently researched and documented many facets of St. Martin’s history, as founding Editor-in-Chief of the popular island magazine, Discover St. Martin-St.Maarten. His articles called forth professional archeologists from Europe and the Caribbean, to help uncover the island’s past and preserve it for the future. His interviews with our elders have forever recorded the times of old, that made way for the new.
Richardson’s devotion to the restoration of historic sites is best known for his decade-long commitment in the 1980’s to the restoration of Fort Louis, overlooking Marigot Harbor. Here, he worked tirelessly, encouraging other volunteers from the community, to work together, to clear the steep path, grown tall with cacti, to revisit the site, to reassemble the building’s artifacts, including its ancient canons, which were finally airlifted from all points on the island to be returned to their historic setting. They wrote the history, made plaques, built the same stairs that thousands of people have climbed to this magnificent overlook. Through his vision, the lights on Ft. Louis were first lit at night, for all to see.
Other restoration projects include the reconstruction of the original bridge in Grand Case, just recently completed, based on the beautiful monument created by his great uncle, Gaston Richardson in early 1920’s.
Another devotion, open to the public since 1998, the Old Marie at #6 rue de la Republique, greets international visitors and the entire local community, including regular tours by young students, to experience this 19th century Creole townhouse, fully restored, with a beautiful hidden courtyard garden, and surrounded by 18th century stone architecture that date back to pre-French Revolution as the original barracks for the French soldiers, who came to build Ft. Louis. It is now home to an on-going magnificent collection of Sir Roland’s treasured creations, a point where art, culture, nature and history all converge at Roland Richardson Gallery Museum.
Roland Richardson Gallery Museum
Sir Richardson was involved for years in the central planning and the establishment of both the French and Dutch museums on St. Martin. He founded and was President of the Cultural and Historic Foundation that sponsored St. Martin’s first food festivals and ethnic performances, and offered vital support to the emergence of many other community-driven foundations that continue these popular traditions today.
Roland Richardson, Lt. Governor Franklyn Richards and Queen Beatrix of the Netherlands, 2002
Roland Richardson Commissioned Portrait of Queen Beatrix of the Netherlands, 2002
Roland Richardson was awarded in 2007 the honor of Knight of the Order of Orange Nassau, a high level Dutch Royal Decoration from the Court of Queen Beatrix of the Netherlands, and privileged with two private exhibitions before the Queen. He has also been honored with a Lifetime Achievement Award from the French Government.
CURRICULUM VITAE
Education
1962-1967 | BA Fine Art, Full Scholarship with Honors, Hartford Art School, | |
University of Hartford, Connecticut | ||
1965 | Summer Scholarship directed by Dean Keller, Yale University Art School | |
1966 | Apprenticeship with Austin Purvis, President, American Mural Painters Association, National Shrine Cathedral project, Washington D.C. |
Awards & Achievements
1980-1994 | President, St. Martin Cultural and Historical Society | |
1986-1999 | Founding Editor-in-Chief, Discover St. Martin Magazine | |
1986 | Hosted Exhibition of original works by Romare Beardon, St. Martin | |
1986 | Person of the Year Award, The Guardian, St. Maarten | |
1993 | Permanent Collection, Le Musee du Nouveau Monde, La Rochelle, France | |
1997 | Bronze Medal Award in Tourism by the French Government, Paris | |
2002 | Portrait Commission of Queen Beatrix, Government of the Netherlands Antilles | |
2003 | Lifetime Achievement Award in Tourism, French St. Martin | |
2006 | Permanent Collection, Governor General’s Mansion, Wilemstaad, Curacao | |
2006 | Permanent Collection, Erasmus Cancer Institute, Rotterdam, Holland | |
2006 | Permanent Exhibition, Princess Juliana International Airport, St. Maarten | |
2007 | Knight of the Order of Orange Nassau, Court of Queen Beatrix, Netherlands | |
2008 | Lifetime Achievement Award, Collectivite de French St. Martin | |
2008 | Permanent Collection, ORCO Bank, St. Maarten | |
2008 | Soualiga Award of Merit, La Collectivite Territoriale de Saint Martin | |
2010 | Permanent Collection, Bayer Corporation Commission, New Jersey | |
2010 | Permanent Collection, Dean and Company Commission, Virginia | |
2011 | Permanent Collection Mint Museum, North Carolina | |
2011 | Permanent Collection, Petit St. Vincent, Grenadines | |
2011 | Permanent Collection, La Samanna Hotel, French St. Martin | |
2012 | National Art Collection, Governor’s Selection, Sint Maarten | |
2013 | Permanent Collection, Sint Maarten Parliament | |
2014 | Permanent Collection, Ripley’s Entertainment | |
2015 | Publication of Temptation Restaurant Cookbook with Art & Poetry | |
2016 | Permanent Collection, Memorial Sloan Kettering Cancer Institute, N.Y.C. | |
2018 | Permanent Collection, Central Bank of Curacao | |
2018 | Permanent Collection, Grand Case Beach Club, St. Martin | |
2018 | Permanent Collection, Belmond La Samanna Hotel, French St. Martin | |
2022 | Permanent Collection, Office of the President, Collectivite of French St. Martin | |
2022 | Sage Award, Dutch Sint Maarten Department of Culture | |
2022 | President, Roland Richardson Heritage Association | |
2023 | Permanent Collection, FineMark Bank & Trust, Naples, Florida |
Individual Exhibitions
1968 | American University, Beirut, Lebanon | |
1972-1975 | Annual Exhibit, Colombier, St. Martin | |
1974 | Parc Floral Gallieni, Fort-de-France, Martinique | |
1975 | Cultural Center Reminaisouta, Guadeloupe | |
1977 | Giammaica Gallery, Los Angeles, California | |
1978 | Gallery Seguier, Paris, France | |
1980 | Number One North Street Gallery, St.Croix U.S.V.I. | |
1981 | Central Falls Gallery, Soho, New York | |
1983 | The West Indian Cultural Festival, New London, Connecticut | |
1984-1995 | Gallery Le Poisson d’Or, Marigot, St.Martin | |
1986 | Nannette Bearden Fine Arts Gallery, Philipsburg, St.Maarten | |
1986 | Gallery 62, National Urban League, New York | |
1989 | La Maison de Saint Martin, Ave. Friedland, Paris | |
1989 | The Bruxelles International Trade Show, Bruxelles, Belgium | |
1990 | Air France, Mulhouse, France | |
1990 | Joan Joseph Gallery, West Hartford, Connecticut | |
1991 | “Etchings-A Retrospective,” St.Maarten Museum, Philipsburg | |
1992 | “Just Bouquets”, Daisy’s Restaurant, Grand Case | |
1992 | “Caribbean Moods,” Maho, St.Maarten | |
1992 | New World Gallery, Nick Douglas, Anguilla | |
1993 | Alexandre Gallery, Sophia, Bulgaria | |
1993 | Le Musee du Nouveau Monde, La Rochelle, France | |
1993-2001 | Miller Fine Art, Occoquan, Virginia | |
1994 | La Maison Francaise, French Embassy, Washington, D.C. | |
1994 | Museum Ex Libris, Moscow, Soviet Union | |
1995 | St.Martin Museum, Inaugural Exhibition, Marigot, French St. Martin | |
1996-2019 | La Samanna, French St.Martin | |
1996 | A.T. &T. Exhibition, The Upper Crust, West Village, NYC | |
1997 | Landhuis Bloemhof, Curacao, N.A. | |
1998-2010 | American Society of Interior Designers National Headquarters, Washington D.C. | |
1998-2019 | Roland Richardson Gallery Museum, #6 rue de la Republique, St. Martin, FWI | |
1998-2019 | Auberge Gourmande, Grand Case | |
2001-2002 | Guanahani, St. Barths, FWI | |
2001-2006 | Rendezvous Bay, Anguilla, BWI | |
2001 | Michael’s & Ennio’s, Greenwich Village, NYC | |
2004-2005 | Flamboyant Gallery, St. Kitts, BWI | |
2005 | Manassas Center for the Arts, Virginia | |
2006 | Queen Beatrix Private Exhibition, Princess Julianna Inter’l Airport, St. Maarten | |
2006-2010 | Koal Keel, The Old Warden’s House, The Valley, Anguilla, BWI | |
2008-2019 | ORCO Bank Inaugural and Permanent Exhibition, St. Maarten | |
2009-2019 | Sotheby’s, Anguilla, BWI | |
2011 | Sheer Art Gallery, Philipsburg, Sint Maarten | |
2012 | Inaugural Exhibition, Mont Vernon Plantation Museum, St. Martin | |
2013-2015 | 1st and 2nd Annual Jewish-Caribbean Festival Exhibition, Cupecoy, Sint Maarten | |
2013 | Royal Exhibition in Parliament for King Willem and Queen Maxima, Philipsburg | |
2015 | Temptation Restaurant, Cupecoy, Sint Maarten | |
2016 | 50th Anniversary Exhibition “Portraits of Our People”, Sheer Art Gallery, Philipsburg, Sint Maarten | |
2016-2019 | Grand Case Beach Club, Grand Case, St. Martin | |
2017 | Public Exhibition, Office du Tourisme, Marigot, St.Martin | |
2017-2019 | Public Exhibition, Collectivite de Saint Martin, City Hall, Marigot, St Martin | |
2017-2019 | Public Exhibition, Louis Constant Fleming Hospital, Concordia, St Martin | |
2018 |
Galeria Adelmo, Little Havana, Miami, FL |
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2018 |
Permanent Collection, Palais de l’Elysee, Paris, France |
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1996-2025 | La Samanna, French St.Martin | |
1998-2020 | Roland Richardson Gallery Museum, #6 rue de la Republique, St. Martin, FWI | |
1998-2025 | Auberge Gourmande, Grand Case | |
2017-2020 | Public Exhibition, Collectivite de Saint Martin, City Hall, Marigot, St Martin | |
2017-2020 | Public Exhibition, Louis Constant Fleming Hospital, Concordia, St Martin | |
2019-2025 | American University of the Caribbean Medical School | |
2023 | FineMark Bank & Trust, Naples, Florida |
Group Exhibitions
1971 | 1st Exhibition of Island Artists, St.Martin | |
1972 | Group Exhibit, Kingston, Jamaica | |
1985 | Gerald Melberg Gallery, by invitation with Romare Bearden, Charlotte, NC | |
1988 | “Bidi I colo”: Municipal Museum, Schiedam, Netherlands | |
1990 | 3eme Salon des Artist peintres d’Outre Mer, Paris | |
1991 | “Gala di Artes,” Willemstaad, Curacao N.A. | |
1992 | 1st Biennal, Santo Domingo, Dominican Republic | |
1994 | “West Kunst,” 75th Anniversary KLM, Rotterdam, Netherlands | |
1994-96 | 2nd & 3rd Biennal, Santo Domingo, Dominican Republic | |
2003 | Caribbean Travel Organization Exhibition, South St. Seaport, | |
NYC and Martha’s Vineyard, MA | ||
2004 | Norman Parrish Gallery, Washington, DC | |
2008 | Art off the Main, Caribbean International Art Expo, Puck Building, Soho, NYC | |
2010 | Art Hamptons 2010, Bridgehampton, NY | |
2010-2019 | Galeria Adelmo, Little Havana, Miami, FL | |
2015-2016 | The Englishman Gallery, Naples, FL | |
2016-2017 | Sheldon Fine Art, Naples, FL | |
2018-2019 | Dream International Fine Art, Four Seasons Hotel, Miami | |
2018-2019 | Ministry of Plenipotentiary, The Hague, Netherlands | |
2018-2019 | Aldecor Gallery, Naples, FL | |
2020-2025 | Naples Art District, Naples, FL |