Roland Richardson
Cart 0
 
 

 

about the artist

We are proud to introduce you to a world of fine art, filled with the light of the Caribbean, by one of the region's most celebrated artists, Sir Roland Richardson.

 
Phone%252BBack%252BUp%252B5-17-2019%252B11119.jpg
 
 

Sir Roland Richardson

Born to a family whose French Caribbean heritage dates back to the 1700's on the island of St. Martin, Sir Roland Richardson has recorded his culture over the past fifty years with his paintbrush and palette.  He reveals his exotic, luminescent subject by painting pictures exclusively “en Plein Air”, working in the field and always from a living subject.

While his roots are in the Caribbean, universities around the world have taught aspiring artists about Sir Roland Richardson's contributions to Plein Air Impressionism. Throughout his long career, Sir Roland has been characterized as the “Father of Caribbean Impressionism.” He has been profiled in reputed periodicals that include the New York Times, the Washington Post, Elle, American Airlines Latitudes, Robb Report, Caribbean Travel & Life and Island Magazine.

Rolandrichardson-plein-air-artist-primary-color .jpg

Photo by James Schnepf

Photo by Alexandre Julien

Over 100 one-man and group shows in museums, major trade centers and fine art galleries have honored Sir Roland Richardson in public exhibition, including many Caribbean islands, France, the Netherlands, the Middle East, Belgium, Bulgaria, Russia, and the United States. While he remains devoted to a simple life of genuine focus, Sir Roland’s artwork is rapidly earning the recognition and respect of art collectors and appreciators worldwide.

ART Hamptons 2010

ART Hamptons 2010

His paintings are cherished in public institutions like Memorial Sloan Kettering, NYC; Erasmus MC Cancer Institute, Rotterdam; and le Palais d’Elysee, Paris. He is honored to be in the collections of celebrated dignitaries and artists including Martha Graham, Jackie Kennedy Onassis, Harry Belafonte, Romare Bearden, Senator Edward and Anne Brooke, Prime Minister Raffarin, and Queen Beatrix of the Netherlands, as well as many corporate leaders and progressive entrepreneurs, pioneers within their niche industries.

 
 
 

CARIBBEAN ART

“The entire region of the Caribbean is blessed with a warm, glorious light manifesting in myriad, vibrant color. This environment enchants, envelops, nourishes and transforms all who are bathed by it. Here color reveals qualities of its inner self that elsewhere are subtle and only hinted at. No wonder that Paradise is still thought to be in this part of the world.”

rrsignaturethin.png
 
 
IMG_4377.jpg
 
 

History is in the making as we explore a new school of art born only in the last century, indigenous to this region of idyllic light and abundant color – the Caribbean. Caribbean art now touches points all over the world, bright beacons of inspired imagery communicating a world, a culture, unknown to most just a half century ago.

How many have learned of the existence of the coralita, the soursop, mangoes and madras, the brilliant flamboyant trees bejeweling our islands, having seen them first in paintings from our Caribbean world?  For this reason, native son, leader and patriarch, Sir Roland Richardson has committed his life to communicating the Caribbean world through his art.

 
 
 
 
 

SAINT MARTIN HERITAGE

Sir Roland Richardson was born May 18, 1944 in Marigot, St. Martin.  

His amazing history includes a family genealogy spanning over 300 years on the island of Saint Martin in the French West Indies, dating back to the original European settlement and Amerindian cultures. 

 
 
Screen Shot 2020-05-14 at 10.04.44 PM.png
 
 

His French ancestors on St. Martin date back to the 1700s and King Louis XVI, the last king of France, prior to the French Revolution. Through the centuries, the Richardson family has been intricately involved in the establishment of government policy, the cultivation of major agricultural plantations, the introduction of modern utilities, telephone and electricity, and the evolution of aviation in this region of the world. Sir Roland is a descendent of slavery as well as nobility, and poignantly represents the beautiful blend of many races, many cultures, and many continents that has emerged as a cultural heritage unique unto itself – Caribbean Creole.

 
 
 
 
St. Martin 1816

St. Martin 1816

Left: Anna Deborah Doncker Hodge 1781 - 1838, wife of Nicholas Heyliger,1767-1852, of Golden Grove Plantation Colombier, French St. Martin.Right: Eliza Jane Heyliger 1813-1847, daughter of Anna Deborah Doncker Hodge,  wife of Richard Robinson R…

Left: Anna Deborah Doncker Hodge 1781 - 1838, wife of Nicholas Heyliger,1767-1852, of Golden Grove Plantation Colombier, French St. Martin.

Right: Eliza Jane Heyliger 1813-1847, daughter of Anna Deborah Doncker Hodge,  wife of Richard Robinson Richardson 1784-1856, lawyer of Philipsburg, Sint Maarten.

 
 

In 1944, Roland Richardson was born to a world about to witness the end of World War II on this small but multi-national island of St. Martin. Intercontinental travel was mainly by sea and what now are short car rides were full morning or long day trips traveled by foot, horse or donkey on island tracks. Marigot was long distance from Grand Case; one hardly knew those born on the other side of the island.  In fact, most of life was devoted to surviving on that which nature could provide, homegrown in back yards, the fields or fished from the sea. 

 
 

Sir Roland was born to Eliva Lawrence and Louis Richardson at #8 rue de la Republique in Marigot,  in the house that adjoins his gallery museum. The courtyard garden was his first experience of color and beauty of flowers which has remained a revered focus throughout his career as an artist.  His grandmother, Miss Pazo, ran a bed and breakfast “of sorts.” Her father, Fernando Morales, was of Spanish origin from the island of Vieques off the coast of Puerto Rico. He was the Mayor of the French side of Saint Martin and received visiting officials with brief lodging and meals. 

sectionbackgoundline.png
 

Other boyhood memories included pulling fish pots with his mother’s father, Hildevere Lawrence, in Grand Case Bay and milking his cattle before setting off to school.  Barefooted, most kids carried their good shoes to wear only in the classroom. They were taught in a large room uniting several grades, seated in rows of graduating ages and sizes with one - very strict - teacher.  The same rows were found at night, five to seven children sharing a mattress to sleep. They reveled when the first generator brought the “electric light” to the village, one bulb suspended from the living room ceiling, that came on miraculously every early evening and went off later just as mysteriously as it came on.  The radio was another miracle, a box that made beautiful music when the lights came on. “We all gathered for this magical occurrence and we would all imitate various instruments based on what we heard, like a grand band. It was a joyful event at the end of the day.”

 
Louis, Cynthie, Vere Richardson & Friends in the “Poupée”

Louis, Cynthie, Vere Richardson & Friends in the “Poupée”

 

“Cars were rare.  There could have been twenty on the whole island, my father owning one.  It was a model T-Ford which he wishes he still had. There were a few trucks and on occasion they would pass through our sand-rippled road in Grand Case and they had to go so slowly that we would all run and jump on and get a ride until they got to a harder, smoother road, and we would get off before they sped away to unknown parts of the island.”

sectionbackgoundline.png
 
Roland, Nikki & Louis Richardson

Roland, Nikki & Louis Richardson

 

Roland immigrated, along with his two younger brothers, to join his mother’s family in New London, Connecticut in 1957, an area in close proximity to the West Indian community where his sea captain grandfather, Hildevere, sailed and traded dry goods between the West Indies and America.  Roland entered 8th grade in the USA in a completely new world, a fish out of water, a tiny fish in a gigantic school.  He imagined the school had more people than the village of Grand Case.

Whenever he spoke to someone, they would ask,

“What did you say?”  

sectionbackgoundline.png

“A high school English teacher, in that early stage, took me underwing and decided he was going to teach me to speak English properly, and would have me stand up and repeat, ‘How - now - brown - cow’ to my great embarrassment in front of my whole class, who couldn’t understand me otherwise.  But in the end, I think it worked!”

Today, the artist laughs remembering the contrasts of the Caribbean and American cultures, and the obstacles they faced.

His favorite class was Art.  

 
 
 

 HARTFORD ART SCHOOL

At age 17, the world of Art was nothing Roland Richardson was familiar with, nothing that a career or income could be based on. 

 
 
GBB_4863.jpg
 
 

In the USA, the schools tested the children’s skills to offer direction for higher education. A wise guidance counselor recognized Roland gift, a grace in drawing, which Roland was born with.  “He asked me what were my career intentions, what was I interested in studying or becoming. I said I did not know. So he said, ‘Really? It’s so obvious to me that you are an artist! It shocked me with the force of a first realization or recognition. Now my secret thoughts were revealed and it changed my entire life.”  

 
ccd5c6d0-80a9-4990-ab0f-01d609b9084d.JPG
 

Roland entered Hartford Art School in Connecticut when it was housed in the Wadsworth Atheneum Museum of Art in 1967 and was a five-year degree. Founded in 1877, the Hartford Art School is one of the most recognized American academies of fine art for emerging artists.   It offered a solid foundation and direction that has encouraged Roland through fifty years as a professional artist.  

During his university years, he earned full scholarship and was awarded the Outstanding Student of the Year award all five years, earning a Bachelor’s Degree in Fine Art with Honors. 

 
 
 

 RETURN TO THE CARIBBEAN

Offered many opportunities to advance himself in prominent cultural metro regions like New York and Paris, Richardson chose to return to his little island of St. Martin to develop his artistry. 

 
 
flam.branch_lrg.jpg
 
 

 “The entire region of the Caribbean is blessed with a warm, glorious light manifesting in myriad, vibrant color. This environment enchants, envelops, nourishes and transforms all who are bathed by it. Here color reveals qualities of its inner self that elsewhere are subtle and only hinted at. No wonder that Paradise is still thought to be in this part of the world.”

Roland Richardson

 
 

He sensed his role in recording his culture and St. Martin’s natural landscape as being a vital link from the past to the present for generations to come. Roland returned to St. Martin in 1970 after spending his early twenties in the USA, Europe, the Middle East and Scandinavia.  Aboard a cargo ship on a long inspirational voyage, he traveled home to begin his lifelong work.  

Fortunate for all, his passion for working from life, continuously turning towards a living situation for his subject, has yielded through the years one of the largest bodies of Caribbean works by a single artist, in original oil, watercolor, pastel, charcoal drawing, fine print making in etching, engraving, aquatint, mezzotint, drypoint as well as a precious body of woodcuts, collographs, embossings, batik and stained glass – all focused on the Caribbean world, his world. 

Fifty years later, his creations have found homes on all continents of the world, beacons of the glorious Caribbean light that radiates from each of his canvases.

 
 
 

PAINTING “EN PLEIN AIR”

Roland Richardson has challenged himself working exclusively “en Plein Air” on location from life, in the same classical methodology of the 19th century Barbizon school artists, the Impressionists.  

 
 
July%2B2013%2B006.jpg
 

In the Caribbean, Roland has taken Impressionism to a radiant level.  Responding to the resplendent light that bathes this beautiful region, he brings forth in each creation, a mirror of its time, its living community and the magnificent land surrounded by turquoise sea on which the entire culture is based.

Today, many artists arrive on our shores, live and work, delivering new art to this growing community.  Among them, we offer our gratitude to one of the first, a prodigal son, who has forged a path of awareness for so many others. Sir Roland considers himself a worker in the field of God, struggling daily to grow in his gift and deliver something special for the world to enjoy, to carry into the future as a record of his times.

 
 
 

COMMUNITY DEVOTION

In addition to his special realm of artistry, Sir Richardson has continued to devote his personal investment of time, energy and resources to the preservation of St. Martin’s patrimony in many other realms. 

 
 
P7090060.JPG
 
 

For fourteen years, he diligently researched and documented many facets of St. Martin’s history, as founding Editor-in-Chief of the popular island magazine, Discover St. Martin-St.Maarten. His articles called forth professional archeologists from Europe and the Caribbean, to help uncover the island’s past and preserve it for the future. His interviews with our elders have forever recorded the times of old, that made way for the new.  

 
Fort Louis, Marigot, Saint Martin  <br> SV Zanshin via Wikimedia Commons

Fort Louis, Marigot, Saint Martin <br> SV Zanshin via Wikimedia Commons

 

Richardson’s devotion to the restoration of historic sites is best known for his decade-long commitment in the 1980’s to the restoration of Fort Louis, overlooking Marigot Harbor. Here, he worked tirelessly, encouraging other volunteers from the community, to work together, to clear the steep path, grown tall with cacti, to revisit the site, to reassemble the building’s artifacts, including its ancient canons, which were finally airlifted from all points on the island to be returned to their historic setting. They wrote the history, made plaques, built the same stairs that thousands of people have climbed to this magnificent overlook. Through his vision, the lights on Ft. Louis were first lit at night, for all to see.  

Other restoration projects include the reconstruction of the original bridge in Grand Case, just recently completed, based on the beautiful monument created by his great uncle, Gaston Richardson in early 1920’s.  

Another devotion, open to the public since 1998, the Old Marie at #6 rue de la Republique, greets international visitors and the entire local community, including regular tours by young students, to experience this 19th century Creole townhouse, fully restored, with a beautiful hidden courtyard garden, and surrounded by 18th century stone architecture that date back to pre-French Revolution as the original barracks for the French soldiers, who came to build Ft. Louis.  It is now home to an on-going magnificent collection of Sir Roland’s treasured creations, a point where art, culture, nature and history all converge at Roland Richardson Gallery Museum.

 
Roland Richardson Gallery Museum

Roland Richardson Gallery Museum

 

Sir Richardson was involved for years in the central planning and the establishment of both the French and Dutch museums on St. Martin. He founded and was President of the Cultural and Historic Foundation that sponsored St. Martin’s first food festivals and ethnic performances, and offered vital support to the emergence of many other community-driven foundations that continue these popular traditions today.

Roland Richardson, Lt. Governor Franklyn Richards and Queen Beatrix of the Netherlands, 2002

Roland Richardson, Lt. Governor Franklyn Richards and Queen Beatrix of the Netherlands, 2002

Roland Richardson Commissioned Portrait of Queen Beatrix of the Netherlands, 2002

Roland Richardson Commissioned Portrait of Queen Beatrix of the Netherlands, 2002

Roland Richardson was awarded in 2007 the honor of Knight of the Order of Orange Nassau, a high level Dutch Royal Decoration from the Court of Queen Beatrix of the Netherlands, and privileged with two private exhibitions before the Queen.  He has also been honored with a Lifetime Achievement Award from the French Government.

 
 

CURRICULUM VITAE

 
P2100029.JPG
 
 

 Education

1962-1967   BA Fine Art, Full Scholarship with Honors, Hartford Art School,
    University of Hartford, Connecticut
1965   Summer Scholarship directed by Dean Keller, Yale University Art School
1966   Apprenticeship with Austin Purvis, President, American Mural Painters Association, National Shrine Cathedral project, Washington D.C.
 

Awards & Achievements

1980-1994   President, St. Martin Cultural and Historical Society
1986-1999   Founding Editor-in-Chief, Discover St. Martin Magazine
1986   Hosted Exhibition of original works by Romare Beardon, St. Martin
1986   Person of the Year Award, The Guardian, St. Maarten
1993   Permanent Collection, Le Musee du Nouveau Monde, La Rochelle, France
1997   Bronze Medal Award in Tourism by the French Government, Paris
2002   Portrait Commission of Queen Beatrix, Government of the Netherlands Antilles
2003   Lifetime Achievement Award in Tourism, French St. Martin
2006   Permanent Collection, Governor General’s Mansion, Wilemstaad, Curacao
2006   Permanent Collection, Erasmus Cancer Institute, Rotterdam, Holland
2006   Permanent Exhibition, Princess Juliana International Airport, St. Maarten
2007   Knight of the Order of Orange Nassau, Court of Queen Beatrix, Netherlands
2008   Lifetime Achievement Award, Collectivite de French St. Martin
2008   Permanent Collection, ORCO Bank, St. Maarten
2008   Soualiga Award of Merit, La Collectivite Territoriale de Saint Martin
2010   Permanent Collection, Bayer Corporation Commission, New Jersey
2010   Permanent Collection, Dean and Company Commission, Virginia
2011   Permanent Collection Mint Museum, North Carolina
2011   Permanent Collection, Petit St. Vincent, Grenadines
2011   Permanent Collection, La Samanna Hotel, French St. Martin
2012   National Art Collection, Governor’s Selection, Sint Maarten
2013   Permanent Collection, Sint Maarten Parliament
2014   Permanent Collection, Ripley’s Entertainment
2015   Publication of Temptation Restaurant Cookbook with Art & Poetry
2016   Permanent Collection, Memorial Sloan Kettering Cancer Institute, N.Y.C.
2018   Permanent Collection, Central Bank of Curacao
2018   Permanent Collection, Grand Case Beach Club, St. Martin
 

Individual Exhibitions

1968   American University, Beirut, Lebanon
1972-1975   Annual Exhibit, Colombier, St. Martin
1974   Parc Floral Gallieni, Fort-de-France, Martinique
1975   Cultural Center Reminaisouta, Guadeloupe
1977   Giammaica Gallery, Los Angeles, California
1978   Gallery Seguier, Paris, France
1980   Number One North Street Gallery, St.Croix U.S.V.I.
1981   Central Falls Gallery, Soho, New York
1983   The West Indian Cultural Festival, New London, Connecticut
1984-1995   Gallery Le Poisson d’Or, Marigot, St.Martin
1986   Nannette Bearden Fine Arts Gallery, Philipsburg, St.Maarten
1986   Gallery 62, National Urban League, New York
1989   La Maison de Saint Martin, Ave. Friedland, Paris
1989   The Bruxelles International Trade Show, Bruxelles, Belgium
1990   Air France, Mulhouse, France
1990   Joan Joseph Gallery, West Hartford, Connecticut
1991   “Etchings-A Retrospective,” St.Maarten Museum, Philipsburg
1992   “Just Bouquets”, Daisy’s Restaurant, Grand Case
1992   “Caribbean Moods,” Maho, St.Maarten
1992   New World Gallery, Nick Douglas, Anguilla
1993   Alexandre Gallery, Sophia, Bulgaria
1993   Le Musee du Nouveau Monde, La Rochelle, France
1993-2001   Miller Fine Art, Occoquan, Virginia
1994   La Maison Francaise, French Embassy, Washington, D.C.
1994   Museum Ex Libris, Moscow, Soviet Union
1995   St.Martin Museum, Inaugural Exhibition, Marigot, French St. Martin
1996-2019   La Samanna, French St.Martin
1996   A.T. &T. Exhibition, The Upper Crust, West Village, NYC
1997   Landhuis Bloemhof, Curacao, N.A.
1998-2010   American Society of Interior Designers National Headquarters, Washington D.C.
1998-2019   Roland Richardson Gallery Museum, #6 rue de la Republique, St. Martin, FWI
1998-2019   Auberge Gourmande, Grand Case
2001-2002   Guanahani, St. Barths, FWI
2001-2006   Rendezvous Bay, Anguilla, BWI
2001   Michael’s & Ennio’s, Greenwich Village, NYC
2004-2005   Flamboyant Gallery, St. Kitts, BWI
2005   Manassas Center for the Arts, Virginia
2006   Queen Beatrix Private Exhibition, Princess Julianna Inter’l Airport, St. Maarten
2006-2010   Koal Keel, The Old Warden’s House, The Valley, Anguilla, BWI
2008-2019   ORCO Bank Inaugural and Permanent Exhibition, St. Maarten
2009-2019   Sotheby’s, Anguilla, BWI
2011   Sheer Art Gallery, Philipsburg, Sint Maarten
2012   Inaugural Exhibition, Mont Vernon Plantation Museum, St. Martin
2013-2015   1st and 2nd Annual Jewish-Caribbean Festival Exhibition, Cupecoy, Sint Maarten
2013   Royal Exhibition in Parliament for King Willem and Queen Maxima, Philipsburg
2015   Temptation Restaurant, Cupecoy, Sint Maarten
2016   50th Anniversary Exhibition “Portraits of Our People”, Sheer Art Gallery, Philipsburg, Sint Maarten
2016-2019   Grand Case Beach Club, Grand Case, St. Martin
2017   Public Exhibition, Office du Tourisme, Marigot, St.Martin
2017-2019   Public Exhibition, Collectivite de Saint Martin, City Hall, Marigot, St Martin
2017-2019   Public Exhibition, Louis Constant Fleming Hospital, Concordia, St Martin
2018  

Galeria Adelmo, Little Havana, Miami, FL

2018  

Permanent Collection, Palais de l’Elysee, Paris, France

 

Group Exhibitions

1971   1st Exhibition of Island Artists, St.Martin
1972   Group Exhibit, Kingston, Jamaica
1985   Gerald Melberg Gallery, by invitation with Romare Bearden, Charlotte, NC
1988   “Bidi I colo”: Municipal Museum, Schiedam, Netherlands
1990   3eme Salon des Artist peintres d’Outre Mer, Paris
1991   “Gala di Artes,” Willemstaad, Curacao N.A.
1992   1st Biennal, Santo Domingo, Dominican Republic
1994   “West Kunst,” 75th Anniversary KLM, Rotterdam, Netherlands
1994-96   2nd & 3rd Biennal, Santo Domingo, Dominican Republic
2003   Caribbean Travel Organization Exhibition, South St. Seaport,
    NYC and Martha’s Vineyard, MA
2004   Norman Parrish Gallery, Washington, DC
2008   Art off the Main, Caribbean International Art Expo, Puck Building, Soho, NYC
2010   Art Hamptons 2010, Bridgehampton, NY
2010-2019   Galeria Adelmo, Little Havana, Miami, FL
2015-2016   The Englishman Gallery, Naples, FL
2016-2017   Sheldon Fine Art, Naples, FL
2018-2019   Dream International Fine Art, Four Seasons Hotel, Miami
2018-2019   Ministry of Plenipotentiary, The Hague, Netherlands
2018-2019   Aldecor Gallery, Naples, FL